Arranging flowers into a pleasing display must be one of the oldest expressions of human creativity. One can imagine even a Neanderthal responding to the colour and form of flowers by wanting to bring them close, to keep them as living evidence of nature’s extraordinary abundance. A flower arrangement is a still life that embodies the transitory nature of life that paintings can only represent.
Is it art? Of course it is, if art involves trying to articulate what you feel, think, believe and value through creative work that speaks to others.
In the Fenland church flower festivals people make arrangements in response to themes. Long Sutton’s ‘Count your Blessings’ inspired creations that celebrated hearing, books, music, friends and neighbours, employment and the health service. At Moulton, people represented ‘The Wonderful World of Colour’ with displays on Dulux, Cluedo, the Blue Danube and Lincolnshire Yellowbellies.
Having no aptitude for this, I admire those who have such artistry, and sympathise with Susan, the vicar’s wife played by Maggie Smith in Alan Bennett’s monologue, ‘Bed Among the Lentils’:
I’m even a fool at the flower arrangement. I ought to have a Ph.D. in the subject the number of classes I’ve been to but still my efforts show as much evidence of art as walking sticks in an umbrella stand. Actually it’s temperament. I don’t have it. If you think squash is a competitive activity try flower arrangement.
Alan Bennett, Talking Heads, (1988) p. 75
- The National Association of Flower Arrangement Societies
- Wikipedia – ’Bed Among the Lentils’ (Alan Bennett, 1988)
- Lincolnshire Libraries – The Complete Talking Heads (Alan Bennett)